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An Interview With RSE Student JAMIE HONEY |
How often have you said to yourself “I need more joy in my life, more laughter, more something.…” Spend an outrageous evening with Jamie Honey, With over 20 years of experience in acting, stunt work, writing, directing and many other creative endeavors, Jamie Honey brings a rich and diverse background to his Friday evening improvisation classes. Each time I’ve participated I have marveled at how masterfully he facilitates a group of potentially ‘off the wall’ adults who have been given permission to be creative, spontaneous and humorous. I so appreciate the gifts Jamie brings to our community and wanted to do an interview with him so that others could find out about how beneficial improvisation can be. I, for one, always walk away from his classes feeling younger, freer, and more alive. Now that’s worth writing about! THE INTERVIEW
Louise: What is your definition of improvisation? Louise: How about giving an example of what goes on in the improv classes. Jamie: Well, actually there are exercises I facilitate which teach you different elements and abilities that can be used either for games or within everyday life. There are warm-ups to get your mind thinking, get your blood flowing, to get you aware and present, and then there are games. Louise: Give a description of one of the games or exercises that you do and some responses that come from participants. Jamie: One of the exercises is "What are you doing?" This is where someone is physically miming an action, and the next person comes up and says "What are you doing?" They have to maintain the physical action that they are miming, say it may be fishing, so they are miming fishing and they have to say something completely different to what they are physically doing, so they might say, "I'm skydiving”. So, the person who just asked, "What are you doing?” now has to mime that they are skydiving, and then the next person comes in and says [to the ‘skydiver’] "What are you doing?" and it goes on from there. So it makes you think in two parts of your mind. It's like patting your tummy and rubbing your head. Louise: It's very challenging. I remember doing that exercise, to be present in the moment while you are doing the action of shoveling, say, and then someone asks, "What are you doing?" and you have to say something that doesn't have any resemblance to shoveling while you continue to shovel. It has to be a completely different thing. It really throws you off, because we are used to putting together certain words with actions, and this makes you break those molds, those typical connections. I see she’s shoveling, but she’s saying she’s climbing a beanstalk, for example. Jamie: It allows you to be spontaneous. The best thing about improv is that creative thought, that spontaneous moment. When you think and then edit like, "Oh, maybe that's inappropriate right now" or "maybe that won't work" or all these maybes that restrict you from living your life fully; Improv says, "Forget about that. There's no wrong. There's only right.” There are multiple opportunities of right that may be different than the one you chose, but there's no wrong. So that spontaneous moment, that thought, right now, go with it. Be creative. Allow that to have life and flow. Louise: It is very lighthearted. My experience allows me to, like you say, be spontaneous and try on different ways of being in the world without having any consequence, because it's a safe environment, and I get to just step outside of the known way that I do things, or the way that I think things, and I get to try it on and be totally free and lighthearted about it. Jamie: Absolutely, and the benefits of laughter, the health benefits, they're fabulous. In the improv class you are having a revitalizing three or four hours of laughter, if nothing else, but you're also teaching yourself, your brain, to have a thought and go with it, to allow something else; and to be present, patient, and focused with somebody who is also playing that game with you, because you've got to respond to whatever they have given you. Louise: When you say, "present, patient, and focused there obviously are parallels with your particular background and what we learn at RSE. When you first came to the school it must have given a different perspective to your understanding of what improv is all about and how you were using your mind. It must have given it a whole other language and a context to understand why what you're doing is so beneficial.
Jamie: I didn't realize how much I was working my mind, like being lighthearted. I was training myself to be lighthearted in any moment. It doesn't always happen, but I'm still training. And then the benefit of that is also challenging the brain to be in the moment with something that is completely bizarre, and to relate to it and to work through it. It's challenging the mind. You've got the baby neurons going, you’ve got neuroplasticity, the challenge to feed those baby neurons… I can see the benefit for everybody, no matter in what walk of life they’re from, to have the experience to create something, to play with it, and then to let it go. So you're not attached to the emotions or the thoughts or the forms that just happened. You did it, and you let it go. You had fun with it. So, no matter what happens, oh! I choose to be lighthearted. I choose to have fun. I choose to be happy in this moment. Louise: Has your improv work helped with your disciplines at the school? Jamie: It has helped me to bring up an image, a thought, that hologram, to hold an image, because in improv I'm training myself to be involved in an environment that may be the Sahara Desert, it may be a jungle, it may be outer space, it may be a sale at Macy's. It may be anything, and I'm holding that image while I play with that with somebody else. I'm also holding the thought of who I am, the character I am - maybe I'm a 60-year-old, maybe I'm a 5-year-old… Louise: So in improv you can play with different scenarios, and get comfortable doing that. You can let go of your known identity, if you will, and step outside of that and try on these other possibilities and realms. That’s a very freeing thing! Jamie: You learn to be open to the signals and the information that's coming to you. Being open to that allows you to be able to do something with it, and anything is possible. There is no limitation. You train yourself that there is no limitation on any thought that you wish to have. Louise: What I've noticed in the few times that I've participated is the different kinds of people that come and how surprising it is to see what comes out of them. In improv class you just can’t ‘judge a book by its cover’. You have your initial impressions of someone and then you get blown away by the stuff that comes out of them. It is so inspiring and spontaneous and quite creative and beautiful. In an environment like this you get to see different parts of a person that you never would have seen before. Jamie: And that's the great thing. Everybody has something creative, has some creative input to add to whatever is happening. Everybody! There isn't anybody that doesn't have something to offer, and that's the great thing. Improv is telling you, "No matter who you are, what you are, where you're from, or what you've done, you have something to offer." And improv says, "Let's support that”. Whatever you have to offer, yes, and we'll support it and add to it. We learn to take what there is and make it different.
Louise: I’d like to ask some of the participants why they come and what they personally get out of it. Let’s go over to Joel: It started last fall when Jamie did an improv class at our house with a few of our friends, and it was the biggest hoot I ever had. It was a tremendous stress reliever; it was really funny; I enjoyed it a lot and everybody had a ball. I look forward to it every week. It’s a great way to spend a Friday night. It’s a great stress relief just to laugh and I get to be somebody else. During the course of the week I have to be a salesman. Here at improv I get to be someone completely different because it’s all creative, on the fly. My wife Nancy comes too. We do a little improv in our relationship now. It’s just lighthearted and fun. I feel that the benefit for me is a lightness of being. 14 year old: I love being at improv. I don’t exactly know why. I’m the only kid, but I still love to get up and be somebody else and act, to be able to laugh and to see other people laugh. Louise: What is it like being around so many older people? Most kids your age wouldn’t be interested. 14 year old: I don’t know. It’s just that whenever I come here, they’re not old anymore; they’re just people expressing themselves and having fun and laughing. Laughing changes everything. Louise: Hi, Lisa. Why do you come to Jamie’s improv classes? What are you getting out of it? Lisa: Well, the first thing is, one morning I was focusing and creating my day, and I decided spontaneously that I needed more laughter in my life. I live alone, work alone, and just felt like I don't laugh as much as I want to. Louise: You’re a regular at Jamie’s improv classes. There must be something that feeds you on an ongoing basis. You seem like such a light hearted person; you always have a smile on your face when you're here, and you’re very spontaneous. Lisa: Yeah, for one thing, I so enjoy the laughter and how I feel afterwards, and of course I understand how it is beneficial for my health. But I also find that it is so helpful in relationships. Louise: He sees another side of you that you may not have revealed before. Lisa: Yes, and then I use it in work, too, in communication. One of the improv games we play is "Yes, and …" and I remember that exercise; sometimes when I'm in dialogue or even e-mailing with somebody who seems to be accusative or bringing up an issue, I'll just come back with a "Yes, and here's what we might do," and to me I like it because it is acknowledging what they just said, and it's positive, it's providing a new direction.
Jamie: There's a mother and daughter that are in this class; they’re regulars. One night they came into the class and they were laughing about what had happened the week before, and they were making jokes. There was one moment in a class where we were all lying on the floor for 15 minutes laughing, because something so funny happened, and after a while, I'm like, "Oh! I'm on the floor; I'm laughing! Oops, I'm the teacher! I need to get up!" So I started to bring myself back to awareness of the room. Louise: I read something very interesting on your web site, thefunpro.com. It was a study about communication done at UCLA by Dr. Albert Mehrabian. He found that “when verbal, vocal, and visual signals are inconsistent, the content counts for a mere 7% of the overall message.”
So, in other words, it doesn't matter what we are saying. It's how we say what we say. We could have the most profound commentary or wisdom to share, but if our body language or voice doesn’t ‘match’ that message can be lost. Jamie: That's right. Louise: You know, we have a teacher who’s got it all.. Jamie: (laughing) Oh, yeah. Louise: He's got the message and the delivery system par excellence… Jamie: Yeah, absolutely. Louise: Is there anything else you’d like to say before we end this interview? Jamie: My improv is not just about having fun. It's about learning about yourself and learning to communicate, because I truly believe if everybody communicated better there would be a lot less problems in the world. If we really communicated, if we really listened to what other people said, if we really said what we meant, if we communicated truly, honestly, and mindfully, the world would be a greater place. And that is sweet. Jamie Honey teaches improvisation classes for adults every Friday evening at The Center for the Creative Arts in Rainier.
Interview Transcribed by Eileen Messer |







